The same guy ends up attracting both Toyin and Uche. But there are more issues with their love triangle than just emotional issues.
Toyin (Dakore Egbuson) and Uche (Nse Ikpe-Etim), who grew up in the lovely seaside town of Lagos, have come a long way. There is no one who can stand between the two best friends since they always put each other first. But when a suave and dashing Sunday (Uzor Osimkpa) enters their lives, their commitment to one another is put to the test. It's a traditional love triangle that has been explored throughout the ages in Bollywood and Hollywood.
Yet Mo Abudu, Darrel Bristow-Bovey, Nnegest Likké, and Walter Taylaur, the playwrights and director, never make it a confrontational, frantic mix of contrasting feelings. In contrast, everything in this Nollywood movie about folks who live lives of extreme opulence and fortune is highly fluffy and rose-tinted. The execution is all very opulent and whitewashed, with women consistently dressed to the nines in designer outfits and men sporting handsome suits. The lack of conviction in the screenplay is startling, nearly giving the impression that their troubles aren't really that serious. However, it would have helped a lot more if the screenplay had been as excellent as the screen presence of Taylaur's attractive primary characters. That is not to say that we did not like the blatant display of wealth on film.

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